
Catalogue Entry
This was possibly the painting exhibited at the Society of American Artists in the spring of 1896 with the title of Grand Cañon in Winter. A review in the Critic stated that the work on view gave “no indication of the scale of the scenery and might as well represent a raving in Ulster County.” The New York Times observed: “Mr. Twachtman’s agreeable color sense has rarely been better demonstrated than in his ‘Grand Cañon in Winter’ wherein the artist, keeping his tones very high, has, nevertheless, achieved much brilliancy of opalescent qualities with his pigment, and produced a delicate harmony.”
Despite this titling, the work's site has recently been identified as a view in Montana on the Gardner River (fig. 1).[1] The locale is situated in Yellowstone, just north of Boiling Hot Springs and a few miles north of Mammoth Hot Springs. Twachtman's perspective appears to be looking northwest where the volcanic ridges formed sharp peaks. Due to the snow cover, near and far hills and a distant mountain peak (probably in the Gallatin Range) are compressed into a unified continuous curve carried throughout the design. This perspective was made possible by Twachtman's low vantage point, which makes the river appear to rise upward and rush forward out of view. Today the site can be accessed from US89, which is on the east side of the river (fig. 2).
In Yellowstone, the snow clung to the surfaces of the rocks and to hills that were bare of vegetation regardless of the time of year. Twachtman used slashing strokes in a rapid style of painting matching the subject, while emphasizing the range of whites that united the land on both sides of the river. He appears to have made liberal use of titanium white tints to produce the opalescense observed by the New York Times critic.
The painting was included in the artist’s 1903 estate sale, as Colorado—Yellowstone Series, from which it sold to Edward A. Rorke (1856–1905), a Brooklyn artist who was one of the show’s major purchasers. After Rorke’s death, it was sold through Silas Dustin (1851–1927), the agent for Twachtman’s estate, to Alexander C. Humphreys, a Scottish-born nationally known water-gas engineer, who was present of the Stevens Institute of Technology, Hoboken, New Jersey, and an avid collector of American paintings.
[1] I would like to thank Tamsen Leigh Hert, until recently head, Emmett D. Chisum Special Collections, University of Wyoming Librarian, for her help in identifying this site, email correspondence, January 2023.
- museum collection (https://worcester.emuseum.com/objects/5851/the-rapids-yellowstone?ctx=50e68ac9-fb49-43d4-91d8-8451daf08eb5&idx=1)