In a letter of September 22, 1895 to William A. Wadsworth, who had funded his Yellowstone trip, Twachtman mentioned: “I want to go to Lower Falls, they are fine.”[1] This comment suggests that it was after that date that he walked either to the base of the falls or to a place where the cascade was readily in view. However, this image is not a view from below because Twachtman included in it a view of the top of the falls, where the river gathers at the waterfall's brink (fig. 1). The painting is closely related to Waterfall, Yellowstone (OP.1305), which is even more limited in depth, with the water spanning much of the canvas space. He probably rendered the two works in quick succession, expressing his immediate response to the falling water with almost ferocious loaded brush movements pressed forcefully against the canvas surface. Here he centered the falls in his square canvas and emphasized the point at which the falls and river converge.
This painting’s first known owner was Elizabeth Greene Metcalf Radeke (1854–1931) (Mrs. Gustave Radeke), who lent the work to the 1915 Panama-Pacific Exposition in San Francisco and gave it that year to the Rhode Island School of Design, Providence, at a time when she was its president. By 1957 the painting had been deaccessioned.
[1] John H. Twachtman to William A. Wadsworth, September 22, 1895.