This painting—inscribed “Venice” and dated “78”—is a view looking west along Venice's Fondamenta delle Zattere, just beyond the eighteenth-century Church of the Gesuati. In the late nineteenth century, cargo ships too large to pass through the Grand Canal anchored here. Twachtman's choice of a vertical support matched his subject, and he focused on the pattern of sunlight and shadow on the slack sails of the large square-rigged sailing ship, seen stern-on. His viewpoint was perhaps from a bridge, which allowed him to look far down the fondamenta as well as to take note of a small figure coming forward along the quay receding sharply below him.
The painting was probably one of two works that Twachtman exhibited as Venetian Sketch in the second exhibition of the Society of American Artists, held in March 1879.[1] In her review of the show for the Art Journal, Susan N. Carter wrote that "the great hull of a vessel in one of the Venetian sketches was chiefly valuable as a study of colour in a scale of black-and-white into which were woven reds and yellows of sails." The critic for the New York Times mentioned that of Twachtman's five works in the exhibition, the two marines were the best.
[1] From descriptions in reviews, the other work titled Venetian Sketch depicted houses on a shore, with a line of ships drawn up close to them.