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Dated “1882,” and inscribed “Mrs. Ritter / / Xmas," this painting was probably given by Twachtman to Mary Ritter (b. ca. 1825), the widowed mother of his friend Louis Ritter (1854–1892). Twachtman and Ritter often crossed paths.[1] In February 1883 both showed snow scenes in an exhibition at Closson’s Gallery, Cincinnati. Ritter's was described as a “snow scene on Mount Auburn” and Twachtman's were titled Snow Scene and A Frosty Morning.[2]
Ritter's painting is possibly a work dated 1882, belonging to the Cincinnati Art Museum (fig. 1). Twachtman's Snow Scene in the museum's collection is also dated 1882, and was perhaps one of the works he showed. The two interpreted the subject differently. Ritter created a more literal and poetic image of bare trees in a desolate landscape whereas Twachtman established a more modern, abstract conception, emphasizing the graphic contrast of interlocked dark shapes, cropped abruptly, against the whites of the ground and sky.
The two works were possibly purchased from the Closson's show by Louise F. Drude (1849–1913), a resident of Cincinnati who was active in the American Humane Society and the first secretary of the Ohio Audubon Society (fig. 2).[3] Both were part of Drude's 1916 bequest to the Cincinnati Art Museum.
[1] Both artists were born in Cincinnati, studied in Munich in the mid-1870s, and taught at Duveneck’s school in Florence in 1880. By 1883 both were back in Cincinnati.
[2] Cincinnati Commercial Gazette 1883.
[3] On Louise F. Drude, see “Recent Humane Benefactions,” The National Humane Review 2 (April 1914), p. 80.
- Museum website (cincinnatiartmuseum.org)