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Twachtman created this pastel for an illustration published in Scribner’s in 1889. There it accompanied a poem by Lloyd McKim Garrison (an 1888 graduate of Harvard University who later became a lawyer until his unfortunate death at age 33), titled “Montauk Point.” The black-and-white illustration reveals a greater distinction between the dark cliffs and the sea than in this pastel, where the sunlit atmosphere spreads over rocks, water, and sky, seen from an aerial vantage point.
It is possible that this was the pastel Twachtman exhibited in 1892 at the Sixth International Munich Exposition with the title of An der Küste (no. 2340a) (On the Coast).[1] By 1907 the pastel belonged to Caroline Coventry Haynes (1858–1951), a New York artist who studied under William-Adolphe Bouguereau, Alfred Stevens, and Claude Monet. Perhaps Haynes saw a parallel between Monet’s images of the cliffs of Étretat and Twachtman’s abstractly conceived view of the dramatic Montauk coastline.