
Catalogue Entry
In his 1895 letter to William A. Wadsworth, who financed his trip to Yellowstone, Twachtman wrote: “We have had several snow storms and the ground is white—the cañon looks more beautiful than ever.”[1] In this image of the Grand Canyon of the Yellowstone, the aftermath of these storms can be seen in the dustings of snow on the crevices of canyon walls and along ridges. The image depicts the North Rim of the canyon, north of Lookout Point (fig. 1). In it, Twachtman captured the actual contrast of pink and sap green, to form a decorative conception in which he brought the canyon walls close to the picture plane. The interlocking triangles, one receding and one coming forward, are suggestive of the influence of Japanese prints.The painting is similar to Yellowstone Park (OP.1308) and possibly depicts the same site, although there are some differences in the rock formations. Whereas in OP.1308, he captured the midday sunlight, here he portrayed the light in a dimmer glow, perhaps that of approaching evening.
This was possibly among the four views of Yellowstone Park once owned by Wadsworth that he lent to an exhibition at the Buffalo Fine Arts Center in 1913, where it would have been shown along with Yellowstone Park (OP.1308) and Niagara Gorge (OP.1209). However, Wadsworth's ownership has yet to be confirmed. Later the painting was part of the collection of works by European and American artists owned by J. K. Newman.[2]
[1] John H. Twachtman, Yellowstone National Park, Wyoming, to William A. Wadsworth, Geneseo, New York, September 22, 1895, Wadsworth Family papers, Milne Library, State University of New York at Geneseo (John H. Twachtman to William A. Wadsworth, September 22, 1895).
[2] On the sale of Newman’s estate, see “Van Gogh Painting Is Sold for $15,000,” New York Times, December 7, 1935, p. 15.