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The location depicted here is likely to be Horseneck Pond, situated to the southwest of Twachtman's Greenwich home. The work is reminiscent of the artist's French period masterpiece and Paris Salon submission, Arques-la-Bataille (OP.731) in its symmetry and horizontality, enabling the viewer to notice its subtleties. The large tree forms an optical illusion, seeming to be both present in the foreground reflection as well as on the opposite hillside.
Autumn Mists was probably the work lent as Morning Mist lent to the memorial exhibition of Twachtman's work at the Lotos Club by Burton Mansfield, a New Haven lawyer and collector of new works by American Tonalists.[1] The painting was included in the show of Mansfield’s collection at the Rhode Island School of Design in 1912, and in the sale of works from Mansfield’s estate, held at the American Art Association in 1933, from which it was purchased by Knoedler Galleries. Somewhat later, the painting was owned by the painter, art historian, and art dealer Leroy Ireland (1889–1970), and by 1957 it was in the collection of the oil and gas magnate T. Edward Hanley of Bradford, Pennsylvania, who donated his vast collection of books, manuscripts, paintings, and art to Harvard, Princeton, and the University of Texas. Autumn Mists was probably part of Hanley’s estate at his death in 1969 and since then has changed hands several times.
[1] On Mansfield, see Modern History of New Haven and Eastern New Haven County (New York: S. J. Clarke, 1918), vol. 2, pp. 189–90. http://www.rootsweb.com/~ctnhvbio/Mansfield_Burton.html.