
Catalogue Entry
On his first trip to Venice in 1877–78, Twachtman resided in the Dorsoduro sestiere near the San Trovaso boatyard, featured in this painting (figs. 1–2). Throughout the work, he emphasized varied and shifting properties of light and shadow, while creating a remarkably accurate image. From his high vantage point, his gaze was on a wide angle down the Rio di San Trovaso. The reflections of the buildings at the right shimmer in the canal and pedestrians are dark shapes against the softly lit facades. At the left is the boatyard, within which a profile view of the pediment on the front facade of the San Trovaso church can be seen just below the tower of the church’s campanile, which glistens in full sunlight.
This painting still belonged to the artist’s son Alden at the time of the 1966 Twachtman retrospective at the Cincinnati Art Museum.