The site depicted—an area of Newport known as "Paradise"—was popular with many Newport artists. Twachtman's viewpoint in the work was across Nelson's Pond from the south end, looking east toward a small island on the pond's opposite shore. This locale was also portrayed from this vantage point in works by John Frederick Kensett, John La Farge, and Homer Martin.[1] However, viewing the scene from a low and close perspective, Twachtman involves the viewer in the subtleties of its relative relationships of form and light, rather in the grandeur of its rock formations under the dramatic light of sunset, as in La Farge's 1867–68 more sweeping view (fig. 1). In the repeating horizontals of near land, water, hills, and sky, in Paradise Rocks, Newport, Twachtman reiterated his key French period painting, Arques-la-Bataille (OP.731).
[1] I would like to thank James Yarnall for his help in identifying the site in this painting.