
Catalogue Entry
Twachtman spent time in Dieppe during the summer of 1884, when he resided with his family in the nearby town of Arques-la-Bataille. Here he depicted Dieppe's Outer Harbor (the Avant-Port) that led into an enclosed inner harbor. The view is probably looking northwest toward the cliffs that continued along the English Channel (fig. 1). At first the scene appears devoid of movement, as the ship in profile is horizontal to the picture plane, while its masts and their reflections establish a compositional grid. However, gradually the viewer is made aware of the presence of a sailboat heading into an inner part of the harbor, toward the cliffs, while the small sailboat in front of the larger ship begins to catch the breeze as it heads out on the water in the opposite direction. Throughout the image, Twachtman incorporated the red-brown tone of the work's panel into his design to create atmosphere, depth, and surface luminosity.
The painting was shown in Twachtman's 1885 solo exhibition at J. Eastman Chase's Gallery, Boston, as Boats at Dieppe. In 1889, it was listed as Harbor of Dieppe in the sale of the work of Twachtman and Julian Alden Weir at the Fifth Avenue Art Galleries in New York. There, a critic observed that it hung at the end of the gallery. Describing it as the "admirable little 'Harbor of Dieppe," the critic went on to note: "Another artist in treating the latter subject might have labored zealously to realize the water and or bring out the modelling and even many details of the vessel at anchor, but Mr. Twachtman has omitted nothing of genuine of pictorial value, and nothing essential to the general truthfulness of his picture."[1]
The painting was purchased from the sale for $80, but its buyer is unknown.[2] There is no evidence that was exhibited again until 2006.
[2] New York Sun 1889–II,