It is likely that this was the pastel Twachtman exhibited as House at Hang Root (no. 30) in his 1891 solo exhibition Wunderlich Gallery. Hangroot was the name for the Greenwich neighborhood where Twachtman settled in 1890, which was then known for its occupancy by a number of African American families.
Among Twachtman's earliest images of his Greenwich home, the pastel depicts a view toward the dwelling's north facade. Twachtman outlined the house in graphite as if to indicate his role in designing it. At the left is the farmhouse that stood on the land at the time of his purchase, with its three-bay front and central chimney. At the right is Twachtman’s first addition to the dwelling, consisting of a two-story somewhat taller structure with a single dormer facing north and a chimney at the roof’s western end. At the right, Twachtman used a few lines and green shading to suggest the grass-covered root cellar, set into the hill on a perpendicular to the house and obscuring its first floor.
Also at the left is Round Hill Road, where a tall tree marks the southeastern edge of Twachtman’s property. He recorded how trees were aligned with and framed his home. With all of this, he conveyed the harmony between the dwelling and its setting and gave his humble home a regal quality.
A label on the verso of the work indicates that this pastel was exhibited as The Old Homestead at the St. Louis Universal Exposition of 1904. The pastel remained in the artist’s estate until at least 1928.