John Henry Twachtman Catalogue Raisonné
An online catalogue by Lisa N. Peters, Ph.D., in collaboration with the Greenwich Historical Society
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Catalogue Entry

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Additional Images
House in Landscape, ca. 1889–91 (OP.900). Fig. 2. OP.900, House in Landscape, detail with inscription and signature.
Fig. 2. OP.900, House in Landscape, detail with inscription and signature.
Keywords
OP.900
House in Landscape
ca. 1889–91
Oil on canvas
22 x 24 in. (55.9 x 61 cm)
Inscribed and signed lower right: To my Friend Willcox / J. H. Twachtman–
Exhibitions
Saint Louis Art Museum, Missouri, Impressionism Reflected: American Art, 1890–1920, May 8–June 27, 1982, as House in Landscape.
Mildred Lane Kemper Art Museum, Washington University in St. Louis, American Places: Painting the Landscape in the Nineteenth Century, April 9, 2014–January 30, 2015, as House in Landscape.
Literature
Hale, John Douglass. "Life and Creative Development of John H. Twachtman." 2 vols. Ph.D. dissertation, Ohio State University, 1957. Ann Arbor, Mich.: University Microfilms, 1958, vol. 2, pp. 555–56 (catalogue A, no. 300), as House in Landscape. (Hale concordance).
Washington University Gallery of Art. Illustrated Checklist of the Collection: Paintings, Sculpture, and Works on Paper. St. Louis: Washington University Gallery of Art, 1981, p. 75, as House in Landscape.
Commentary

Ensconced in an autumnal landscape, a dwelling with a high-pitched roof and front porch covered by an awning, resembles but is not a view of Twachtman’s Greenwich home (fig. 1). The palette of pastel hues, applied in thin layers over a toned ground, suggests that Twachtman rendered the painting at or just before his move to Greenwich, when he was working extensively in pastel, and before he developed a more fully Impressionist brushwork. Here he applied the method he had adopted in pastels on toned papers to a canvas ground. Against a cool-hued surface, he used a warm palette to produce a sunlit effect. 

Twachtman inscribed this painting to its first owner, the artist Arthur V. Willcox (fig. 2).[1] An elusive individual, Willcox was born in Philadelphia, where he was a member of the Art Club of Philadelphia. In the early twentieth century he resided in London and at Glendalough House in County Galway, Ireland. A member of the Players Club, he also knew Julian Alden Weir (with whom he corresponded), Frank W. Benson, and Edmund Tarbell; he similarly inscribed a painting to Tarbell.[2] House in Landscape was purchased from Willcox’s wife, Marion Cozzens Willcox, by Knoedler in February 1935 and acquired from Knoedler by Washington University in January 1936.[3]


[1] Willcox is listed in the American Art Annual, 1900. Two letters from Willcox to Julian Alden Weir are in the Weir family papers, L. Tom Perry Special Collections, Harold B. Lee Library; Brigham Young University, Provo, Utah, MSS511; http://sc.lib.byu.edu/.

[2] Edmund Tarbell, Portrait of a Woman in White (ca. 1885–90, oil on canvas, 29 x 24 inches, location unknown) is inscribed “To my Friend / WILLCOX / Edmund C. Tarbell.” Illustrated in Tranquil America: A Century of Painting, 1840–1940 (New York: Spanierman Gallery, 2001), no. 29.

[3] Knoedler Gallery, Dealer Stock Books, Getty Archives, Knoedler Book 8, Stock No. A1520, p. 141, row 3, Mrs. Arthur Wilcox [sic] (Hôtel  Atlantic, Nice, France), purchase price $850. Sold to Washington University in Saint Louis for $1,500.