John Henry Twachtman Catalogue Raisonné
An online catalogue by Lisa N. Peters, Ph.D., in collaboration with the Greenwich Historical Society
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Catalogue Entry

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Keywords
OP.1128
Waterfall
Late 1890s
Oil on canvas
25 1/8 x 25 1/8 in. (63.8 x 63.8 cm)
Provenance
to estate of John Henry Niemeyer, 1932;
Exhibitions
Brooklyn Museum, New York, Leaders of American Impressionism: Mary Cassatt, Childe Hassam, John H. Twachtman, and J. Alden Weir, October 17–November 28, 1937, no. 65, as Waterfall.
Cincinnati Art Museum, John Henry Twachtman: A Retrospective Exhibition, October 7–November 20, 1966. (Exhibition catalogue: Baskett 1966); (Exhibition catalogue: Boyle 1966–I), no. 54, as Waterfall, lent by Yale University Art Gallery, New Haven, Connecticut.
Literature
Hale, John Douglass. "Life and Creative Development of John H. Twachtman." 2 vols. Ph.D. dissertation, Ohio State University, 1957. Ann Arbor, Mich.: University Microfilms, 1958, vol. 2, p. 575 (catalogue A, no. 670), as Waterfall. (Hale concordance).
Commentary

In this scene, Twachtman view was looking north from directly below Horseneck Falls. The work has an appearance of flatness in its animated surface and cropping. However, the large rock at the top of the falls that quickened its movement is set back from the picture plane, establishing more depth than in the similar Horseneck Falls, Greenwich, Connecticut (OP.1130).  

The work may have been acquired from Twachtman directly by the artist and art teacher John Henry Niemeyer (1839–1932). The two artists knew each other while growing up in Cincinnati and maintained their friendship in New York, where both were members of the Society of American Artists in the early 1880s. Niemeyer became a professor of art at Yale University in 1871; among his pupils was Twachtman’s friend Augustus Saint-Gaudens. Niemeyer probably also knew or taught Twachtman’s son, Alden, who entered the Yale School of Art in 1897 and remained on the New Haven campus until the fall of 1900 when, after receiving the Winchester Prize, he continued his training in Paris. Perhaps Niemeyer acquired the painting at the time Alden was at Yale. The painting was given by Niemeyer’s estate to Yale, four years after his death.