This pastel was probably used by Twachtman to create his large oil Windmills (OP.749), a work he exhibited at his 1886 solo exhibition at J. Eastman Chase's Gallery as Hollandsch Diep, its title indicating its depiction of the estuary to the south of Dordrecht that was formed by the Rhine and Meuse rivers. Portraying the same locale, this pastel may have been the work included in the exhibition as Mill on the Dunes, described in the Boston Evening Transcript as featuring a "light sky that is delicious." The review commented that the "bits of blue that break through the fleecy clouds are full of light and sun, which can rarely be said of blue sky as it is generally painted.”
The work was probably also A Windmill, in the second exhibition of the Society of Painters in Pastel, held at Wunderlich & Company, New York, in May 1888. A reviewer for the Art Amateur wrote: "We have too few landscapists like Mr. Twachtman. His windmill on a low sand dune, with a pool and reeds in the foreground, was what may be called, in the best sense of the term, a poem in color, though as well made out and fully as realistic as anything in the exhibition." A reviewer for the New York Herald commented: "Scenes in Holland furnish the material for J. H. Twachtman's artistically handled crayon point. The largest is a fine windmill scene. Slight but effective Holland river sketches remind one in their simplicity and suggestiveness of Venetian dry points." In the fall, Twachtman sent on many of the pastels shown at Wunderlich to the Chicago Inter-State Exposition, including A Windmill.